Minority Records is releasing a unique boxset Politique du silence with three early albums from Sylvain Chauveau, French composer of minimalist neoclassical music.

“When I made my first albums as a composer, I was obsessed with minimalism, and this quote from the film director Robert Bresson summed up my state of mind. I set myself three principles: 1) Use silence as a starting point, 2) Only add sound when it's absolutely essential, 3) Don't imitate the Anglo-Saxon musicians I admired, but draw on the musical culture of my country, France which lead me to listen intensively to Satie, Debussy and Ravel.” Chauveau explains the background to his work.

The collection Politique du silence contains the recordings of Des plumes dans la tête (2004), Un autre Décembre (2003) and Nocturne impalpable (2001) on coloured 180 gram vinyls. The cover features artwork by French photographer Valéry Lorenzo.

“When I discovered the simple and powerful black and white pictures by Valéry Lorenzo, in the 90s, I immediately fell in love with them. We became good friends and since then I ask him to let me use one of his photos for most of my album covers, or to make my portrait for press shots. It has become a real collaboration, music and images, for more than 25 years. It was then logical to ask him again for the cover of this boxset, like a gentle reflection on my piano and strings era.It's a true honor for me to see my early music recollected, repackaged, remastered after all this time. Which gives me hope that this music, in which I've put all my soul and heart during the years 2001 to 2003, is maybe not forgotten yet.” Chauveau himself adds of his collaboration with Valéry Lorenzo.

The boxset Politique du silence is being released in two editions: a standard version and a limited version of 50 accompanied by a numbered and signed large-format photograph by Valéry Lorenzo. The limited edition will be available only through the Minority Records e-shop.

Intricate structures with an intertwining of spontaneity and randomness, meeting the diverse genre influences of the band members from medieval music to shoegaze to noise. That is Unravel, the new album, and first in six years, from Czech band Manon Meurt.

"Unravel reflects the different stages of dissociation, a person's thoughts, observations - whether of the environment or of oneself - and admiration for the beauty and cruelty that nature mirrors," multi-instrumentalist and lyricist Kateřina Elznicová says of the album.

Produced by Eddie Steven’s (Freakpower, Zero 7, Moloko, Róisín Murphy) the album was pieced together from recorded fragments, meticulously pieced together. The title Unravel refers to the development of the band, unravelling what they are to find the full potential of their music as well as uncovering the layered nature of the songs and emotions.

The combination of industrial material with plant motifs in the work Untitled_1 by Ukrainian artist Liza Libenko, which adorns the cover of Unravel, strongly attracted the band. After all, floral motifs have always been close to Manon Meurt's music. Libenko, a student of the Academy of Fine Arts and a finalist of the prestigious Austrian Strabag Artaward International Prize, has recently been working on overcoming the narrative boundaries of the canvas, the paintings "attack" the viewer. Sunflowers are a powerful symbol of life and the sun; in Libenko's paintings they are black and burnt, serving as an allegory for contemporary conditions. The work was photographed by photographer and artist Marcel Rozhoň, and the final processing of the Unravel album was done by graphic artist Zuzana Malá.

The album Unravel is released right now on all streaming platforms, CD and 180 gram LP in two colour variants.

Ambient industrial planes laced with electronics and pop as well as an attractive elusiveness—this is the new song Timeless from Czech band Manon Meurt. The second single from the forthcoming album Unravel, produced by Eddie Stevens, is coming out on Minority Records.

“Genre-wise, Timeless is an antipole of our autumn single Mirrors. Eddie has widened our sound spectrum and on Timeless, he emphasized the dynamics and the way we tell the story,” the drummer Jiří Bendl says.

British producer and musician Eddie Stevens became famous for his collaboration with Moloko and Róisín Murphy, however, he has been gaining accolades on the Czech and Slovak music scene as well where he has produced several award-winning albums.

“Timeless was written during the evenings on the way from work in trams and in the car, where life’s hum intensifies. Everyone is headed somewhere, in a rush, and the horizon is changing colour above all this, as if to oppose the hustle and bustle with its magnificence and to remind us of the triviality of this haste, of its fleetingness. I enjoy watching this hum, it reminds me how great it is that I can disconnect from it for a moment and just take in the present moment,” explained Kateřina Elznicová, the author of the lyrics and multi-instrumentalist, about the origin of the song.

The autumn release of The Orff Brothers' Šero and Bingriwingri album reissue on the Minority Records label will be followed up by the band's six-city tour in April. The Orff Brothers will perform on April 17 at the Jazz Tibet Club in Olomouc, on April 18 at the Dock in Ostrava, on April 19 at the Church of St. Janů in Opava, April 24 at the Kabinet Múz in Brno, April 25 at the Kasárna Karlín in Prague and April 26 at the Oskar Nedbal Theatre in Tábor.

The Orffs also prepared a small surprise for the fans - the release of the Song for Stefania Sauer on streaming platforms.

"We went back almost thirty years when this song was created and re-recorded it in a simple vocal arrangement with only the accompaniment of the talented young Krnov pianist Matěj Černý," says singer and guitarist Ivan Gajdoš. The contemplative Song for Stefania Sauer is accompanied by a video clip, which is supported by band members and tattoo artist and illustrator Nella Vilímková.

Manon Meurt once again joined forces with a strong producer personality, and the new song was created under the baton of the British musician and producer Eddie Stevens who is known for his collaboration with Moloko, Zero 7 or Róisín Murphy.

“Eddie’s approach included splitting our songs into individual fragments. We recorded each fragment with a different sound setup for the instruments and then we combined them together again to get the final form. Our collaboration was creative, unpredictable and constantly evolving, same as the result that we’re releasing in April 2024 and that we’ll follow up with a series of concerts. Thanks to Eddie, we’ve ventured into places as a band, where no one would have probably expected us a few years ago. We’ve learned to have a truly original approach to our music that is not specific to any single genre,” the keyboard player David Tichý says.

The single as well as the whole upcoming album were recorded in the Svárov studio owned by Lukáš Martínek. The mix was done by Stevens himself in the Rancid Mead Sorbet Studios in London, mas-tering was taken care of by Darius van Helfteren (De Staat and others) in the Dutch studio Amster-dam Mastering.

“It was David who came up with the harmony idea and gradually we each composed our part. The original idea was for an instrumental song, that’s why I came with something like a whispered mantra, however, the dynamics was gradually increasing. Generally, we tend to describe moments rather than stories in our lyrics. Mirrors captures that silent moment just before dawn when the moon and the sun change guards and people open themselves up all the way in what they say—mirror-like they reflect each other,” the author of the text, multi-instrumentalist and singer Kateřina Elznicová adds.